Design elements of the insular ‘Celtic horse’ coins: Part 1

The 'Celtic Horse' seen on the 'primitivist' coins of the Iron Age often showed interesting design characteristics related to concentric circles and points. These became prominent elements of insular Celtic numismatic designs and rock art, such as that seen in Scotland among the 'Picts'. My design here is taken from a coin of the Dobunni (W. Britain).

The ‘Celtic Horse’ seen on the ‘primitivist’ coins of the Iron Age often showed interesting design characteristics related to concentric circles and points. These became prominent elements of insular Celtic coin designs and regional rock-art, such as that seen in Scotland among the ‘Picts’. The design here is taken from a  2000 year old coin of the Dobunni in my collection (W. Britain).

'Aberlemno 1' pictish stone (Angus, Scotland). The 'double disc' motif appears with the 'z-rod' and the mirror: symbols of rotational and reflectional symmetry. The serpent at the top demonstrates that this symbolism is expressive of the Atlantic otherworld beliefs...

‘Aberlemno 1’ pictish stone (Angus, Scotland). The ‘double disc’ motif appears with the ‘z-rod’ and the mirror: symbols of rotational and reflectional symmetry. The serpent at the top demonstrates that this symbolism is expressive of the Atlantic otherworld beliefs…

Note the rotational symmetry seen in the horse-design of this coin! Wiltshire ?Dobunni 1stC BCE.

Note the rotational symmetry seen in the horse-design of this coin! Wiltshire ?Dobunni 1stC BCE. Photo: (c) 2014 http://www.celticcoins.com – Chris Rudd

Tehi-Tegi and the Pictish Stones

Symbols found on Pictish' stones. Are they related to the Manx 'Tehi-Tegi', Irish Cliodhna, and other 'mermaid' traditions?

Symbols found on Pictish’ stones. Are they related to the Manx ‘Tehi-Tegi’, Irish Cliodhna, and other ‘mermaid’ traditions?

The curious rock-carvings found on the ‘Pictish’ stones of the eastern and lowland parts of Scotland have long excited curiousity and conjecture as to their meaning and symbolism. Having studied the ‘Otherworld’ traditions and legends of the ancient Atlantic Europeans, I am starting to understand the significance behind some of these symbols and would like to share a few of my thoughts on them.

It is my belief that the symbols represent aspects of the processes involved in the passage of the dead to the otherworld, and in the regeneration and reincarnation cycles of nature, as previously discussed in the Blog. Here are a selection of my interpretations based on these theories:

1. The ‘Beast’ = A ‘Water-Horse’ or Porpoise-Horse hybrid. The steed of the ‘Fair Chooser’ which transforms when it dives into water conveying the soul(s) of the dead to the Otherworld ‘beneath the waves’ or ‘beyond the setting sun’.

2. Mirror and Comb: The attributes of the ‘Mermaid’ still used in modern depictions of this archetype. The mermaid represents the ‘Fair Chooser’ herself, and the comb and mirror represent her love of beauty as well as the following: The Mirror represents the inverted state of Otherworld-being and so is a metaphor for this world. The Comb represents a metaphor of the un-knotting of the tangles of life’s threads, in preparation for their refashioning in the otherworld. Scandinavian, Scots and Manx folklore contains many traditions about knots – in particular they were avoided about the person of a dead body, lest they return to haunt the living!

3. Crescent and V-Rod: The crescent represents a rising wave, as well as the Moon which propels the tides – various permutations of it contain swirl-patterns suggesting waves. The V-Rod geometrically represents a state of reflectional-symmetry in its gross appearance, but each arm looks different, representing the otherworld reflection and transformation. My conjecture is that this symbol represents the great wave which swallows the dead and therefore the transition to the otherworld.

4. Serpent and Z-Rod: This symbol expresses rotational symmetry of its geometric forms. This expresses a principle of repeat through cyclicity, rather than repeat through reflection, and introduces the idea of eventual reincarnation. The serpent is  an ancient symbol of rebirth, based on empirical observation of its skin-shedding, its tendency to make coiled and undulating shapes with its body mimicking the cycles of the stars, planets and satellites of the sky perceived to influence nature through the tides, seasons etc.

5. Double Disc and Z-Rod: This is an expression of the cyclicity of the sun and moon in particular – possibly a comment on their inverted otherworld-relationship. The discs are bound together by a tie upon which the Z-Rod is centred. The rod is often decorated at each ends with plant-like elements.

Aberlemno-9946

tbc