The meanings of Beltane

Following on from my last thematic post, I wish to discuss some of the deeper meanings behind the festival of Beltane, known in Irish as Bealtaine, and Manx as Boaldyn. I have employed the English spelling 'Beltane' when talking in the general sense, simply because this is the language I use.

A Manx Crosh Cuirn

A Manx Crosh Cuirn

It really is an old festival, proceeding from times when religion was generated from the landscape, seasons, survival and memories – not from books. The empirical observations of nature's great mechanism assigned particular periods where change was apparent a specific importance, and Beltane was one of these.

It represents the surge of trees into full leaf, the arching and dividing of shoots to form branched plants, and the appearance of swarms of insects. Climatically it is warm and wet – the ideal generative conditions for nature to surge into full life. The response to this growth is visible in the behaviour and migrations of wild animals, and reflected in the procedures of transhumance when it is safe to move animals to upland pastures. It is perhaps not surprising that the groups of stars or constellations in which the sun is noted to travel during this period have ancient names which correspond closely to agricultural animals – Aries (the ram), Taurus (the bull), the Pleiades (plovers) and mysterious Cetus (see my earlier post about Iron Age coins). None of these will be visible in daytime in the sun's glare (except perhaps Taurus and the Pleiades just after sunset), and are hidden below the horizon at night! Boötes ('The Herdsman' -home of the bright star Arcturus) and Virgo ('The Young Woman' whose brightest star is Spica which represents a fertilised ear of corn) are visible rising on the ecliptic path to the southeast as the sun sets on Beltane eve, however… The 'meaning' of these constellations appears to have been assigned on the basis of the seasonal events they attend.

Irish Bealtaine customs:

According to William Robert Wilde, (Irish Popular Superstitions, Pub. McGlashan, Dublin 1852) the pre-famine celebration and customs of the Lá Buidhe Bealtaine included the following:

1. Bealtaine bonfires: Usually lit on May eve. He says that the embers would sometimes be taken away to peoples homes to light their own fires, and the ashes considered lucky and curative. Wilde records the burning of horse skulls and animal bones on the fires, as well as the May bush.

2. The May Bush: A decorated uprooted bush or small tree which was carried around ceremonially by youthful celebrants. It was burned on the bonfire.

3. He describes stories of parties of young character-actors similar to those of the Manx 'Summer Queen' and her troop.

4. May Flowers: Like in the Isle of Man, the Bearnan Bealtaine or Marsh Marigold (Caltha palustris) was a principle apotropaic Mayflower. Any other yellow wildflowers would be used to decorate houses and doorways etc.

5. Household superstitions: Wilde describes a superstition that it was unlucky to give fire or milk from the house at Bealtaine. He associates this with making the household vulnerable to fairies. Curiously, this superstition applies to Easter in the Isle of Man.

6. Spring wells and dew: A number of superstitions existed about the power held in the dew of May morning. Going to a person's land and skimming the dew was considered an attempt to transfer/steal its productivity. The same applies to skimming someone's well or spring. Conversely, wells were resorted to for ablutions and drinking first thing on May morning, and girls would also try and wash themselves in the dew of May morning.

7. May balls: Aside from dances and frolics, Bealtaine was also sometimes associated with spherical balls: One of these was a large football, kicked about as part of a May 'wide-game', and another was a custom of carrying a decorated ball suspended from a pole.

The book was a misty-eyed look back at pre-famine Ireland, and it is evident from its tone that Wilde perceived the famine to have caused a cultural collapse of traditional customs. He was correct, of course, and the latter half of the 19thC was marked by a rise in the power and influence of the Roman Catholic church which sought to fill the void of the decimated culture with its own cultural 'produce'.

Apart from the aspects of fun attached to former Bealtaine celebrations, it is worth examining in more detail the meanings of the customs Wilde and others have described.

Primrose_IMG_1803_2009_04 copy (1)

Water, trees and fertility:

The similitude between water and the plant life that relies upon it to survive permeated the empirical (i.e. – pagan) philosophies of Atlantic Europe. The physical patterns traced by the branches, stems and roots plants are similar to the shapes of river deltas. Plants 'spring' up from the ground in the season named in honour of this – just like water has a similar tendency to gush forth. The 'flood' of greenery at Beltane is analogous to the floods of rivers and the ocean tides. It was anciently believed that dew was created by the moon whose cold light was supposed to create moisture. Furthermore it was believed that its disappearance from the leaves of plants as the morning progressed constituted a 'drinking in' of its goodness. Grass and its dew, spring-wells, and the flow of milk from cattle were considered analogous parts of the same systematic (spiritual) process of conveying life and goodness.

Moisture along with heat were considered the pre-requisites for generating life.

Fire and continuity:

The May fires and hearth-customs were another important part of the fertility/continuity philosophy of Beltane. The custom of creating frictional fires such as the Tein-eigin, particularly when the sun is transiting across the virile spring constellations of Taurus and Aries is an interesting evocation of sexual intercourse. The 'eternal flame' once apparently common to early Celtic Christian monasteries was an aspect of something pagan, and the hearth-kindling traditions and beliefs about ancestors (fairies) and their relation to the hearth are important features of the Atlantic Religion. The hearth is the heart of a household, and a witness to generations of occupants. Open air hearths (e.g. – the Fulachtai Fiadh) were a feature of pagan ceremonials, there being good evidence for this from archaeology and literature. These represented the 'tribal hearth' and had significance to Bealtaine in Ireland, in particular at places like Tara (where Muirchu says Patrick extinguished the sacred fire at 'Easter' time) and at Uisneach. These fires, used to rekindle the fires of the tribe were a powerful unifying force in ancient Gaelic culture, and the ability to host them was the province of kings or high-kings whose 'spark' (married to the 'wood' of the feminine earth) was the inspiration and generation of the Tuatha. Perhaps the 'May Bush' was figurative for the sovereignty goddess, and its burning a form of heiros gamos?

Confusion with Midsummer?

There are a number of independent written accounts from the 19thC which suggest that Midsummer fires in Ireland, Scotland and the Isle of Man were also called 'Beltane' or 'Beltein' fires. The original entry in Sanas Chormaic describes two fires, usually interpreted to mean twin fires, between which cattle were driven. This was said to have been the case in the Isle of Man by William Harrison in his 'Mona Miscellany' (Manx Society Volume 16, Pub. 1869), althougn he could have been quoting the authority of O'Flaherty. However, the entry may be a reference to two early summer fires, held individually on 31st April and at midsummer.

The original texts in the various copies of Sanas Chormaic do not give a date for the festivity, which was glossed in by O'Donovan on the basis of an apparently continuous tradition centred on the 1st of May. It might be that midsummer fires were a christianised form of Beltane which became conflated later on, but midsummer bonfires were a pretty certain pagan activity as well.

Fertile Bridget:

The astronomical event of sunset at Beltane eve sees the constellation Virgo rising in the southeastern horizon. She is preceded by the roaring fiery Lion that is Leo who is bathed in the warmth of the setting sun (assuming you don't live in the Isle of Man where it is probably raining!). Those familiar with the Norse and Germanic mythologies will know that Freyja was the goddess of love among the Scandinavians, and was depicted in Icelandic mythology as having a chariot drawn by cats (Snorra Edda, 'Gylfaginning').This is evidently a reference to these two constellations, and the association of Beltain with love and fertility must somehow be related to Freyja. St Bridget is associated not with Beltane, but with Imbolc (1st February), but the year is young in February and 'Saint' Bridget was a virgin according to the myths of her desexualised religion. So what is the relationship between the Norse Freyja and the Gaelic conception of the year as a woman? Those familiar with my writings might recall I have previously commented upon the similarity between the names of Bridget and Freyja: This is most evident in the Manx versions of Bride's name: Breeshey and Vreeshey, pronounced 'Breesha' or 'Vreesha', even 'Braysha' or 'Vraysha'….

Etymologies of 'Beltane':

Conventional interpretation divides the wordsound into two parts: 'Bel-' and '-tane'. The oldest written forms were beiltine and biltine (Sanas Chormaic).

The prefix has been variously described as a reference to a god called 'Bel' (a popular idea in the 17th, 18th and 19th centuries), the word for 'mouth' or 'opening' (bealach), 'health' (beatha), prosperity (bail), food (bia/bea), fold/enclosure (baile/balla) and tree (bile). The Manx version 'Boal' has aspects of bovine animals (boa) and bowls (bol-). The suffix '-tane' is usually related to fire (teine) but might also relate to territory or a district (tain – derivation being 'tanistry' and the Germanic word 'thegn' or 'thane'), a cattle-herd or drove or war spoils (táin)or even water (tain). The Manx pronounce the suffix '-thane', but other regional pronunciations vary the 't' sound from hard 't' to 'tch'. As all have accrued meaning that can be freely related to folklore about Beltane it is hard to come to a firm conclusion.

'Fires of Bel' and 'Cattle Fires' are both etymologies that have been suggested in the past, as is 'opening to fire' (from 'bealach' and 'teine' – meaning the hot months of summer). It might also mean 'Cattle-drove of Bel', 'Enclosure of Land' or perhaps more likely: 'Health/Prosperity of Land', or 'Tree Fire' both of which seem to fit the more fundamental aspects of the celebration.

 

Bridget, Croghan Hill and the Bog of Allen

The Bog of Allen (Móin Alúine) with Croghan Hill ('Cruachan Bri Eile') in the background

The Bog of Allen (Móin Alúine) with Croghan Hill (‘Cruachan Bri Eile’) in the background

“Then holy Patrick came to the well called Clébach, on the slopes of Cruachu to the east, before sunrise, and they sat beside the well,  and, behold, the two daughters of king Loíguire (Ed: Mac Néill), fair-haired Ethne and red-haired Fedelm, came to the well, as women are wont to do, in the morning to wash, and they found the holy assembly of bishops with Patrick beside the well. And they did not know whence they were or of what shape or from what people or from what region, but thought they were sidhe men or earth-gods or a phantom; and the maidens said to them: ‘Whence are you and whence have you come?’ and Patrick said to them: ‘It would be better for you to profess our true God than to ask questions about our race.’  The first maiden said: ‘Who is God and where is God and whose God is he and where is his dwelling-place? Has your God sons and daughters, gold and silver? Is he ever-living, is he beautiful, have many fostered his son, are his daughters dear and beautiful in the eyes of the men of the earth? Is he in the sky or in the earth or in the water, in rivers, in mountains, in valleys?’….”

The quote comes from the Book of Armagh and was originally written in the 7th/8thC by the Bishop Tírechán as part of his collected apocrypha about Patrick, collected from across Ireland in his time and before. The Hill of ‘Cruachu’ mentioned here (usually interpreted as being at Rathcrogan in Connaught) might actually have been the magnificent and significant hill of Cruachan Bri Eile/Ele (‘Hill/Rock of Bri Eile’) or Croghan Hill in Offaly in Leinster, which had distinct fairy associations:

Patrick's Well on Croghan Hill - The original Clebach?

Patrick’s Well on Croghan Hill – The original Clebach?

The hill of Bri Eile is referred to explicitly in the fairy-narratives of The Boyhood Deeds of Fionn from the manuscript Laud 610 (folio: 118Rb-121Va), believed to date from the 12thC: In this, after learning poetry through the mystical medium of the Salmon of Knowledge with the druid Finnecas (who lived on the Boyne, Fionn travels to defeat the notorious fairy woman of Cruachan Bri Eile…

“…. Finn went to Cethern, the son of Fintan, further to learn poetry with him. At that time there was a very beautiful maiden in Bri Ele, that is to say, in the fairy knoll of Bri Ele, and the name of that maiden was Ele. The men of Ireland were at feud about that maiden. One man after another went to woo her. Every year on Samain the wooing used to take place; for the fairy-mounds of Ireland were always open about Samain; for on Samain nothing could ever be hidden in the fairy-mounds. To each man that went to woo her this used to happen: one of his people was slain….” (Boyhood deeds of Fion mac Cumhaill – trans. Cross and Slover 1936)

'Old Croghan Man' - A self-sacrificial bog body from near Croghan Hill. 'The Boyhood Deeds of Fionn' state that the fairy woman of Cruachan Bri Eile took the life of a man from the parties that went to her at Samhain... Either she or the Bord na Móna were certainly fierce to him!

‘Old Croghan Man’ – A possibly self-sacrificial bog body from near Croghan Hill. ‘The Boyhood Deeds of Fionn’ state that the fairy woman of Cruachan Bri Eile took the life of a man from the parties that went to her at Samhain… Either she or the Bord na Móna certainly appear to have been fierce to him!

The association of this ancient bog-island with the mystical (and aquatic) is supported in some of the medieval Dindshenchas onomastic texts. Certain of these associate Cruachan Bri Eile with the source of the River Shannon, said to arise in a magical pool there (‘Rennes’ Prose Dindshenchas trans. Whitley Stokes):

59. SINANN.

Sinend daughter of Lodan Lucharglan son of Ler, out of Tír Tairngire (“Land of Promise, Fairyland”) went to Connla’s Well which is under the sea, to behold it. That is a well at which are the hazels and inspirations (?) of wisdom, that is, the hazels of the science of poetry, and in the same hour their fruit, and their blossom and their foliage break forth, and these fall on the well in the same shower, which raises on the water a royal surge of purple. Then the salmon chew the fruit, and the juice of the nuts is apparent on their purple bellies. And seven streams of wisdom spring forth and turn there again.

Now Sinend went to seek the inspiration, for she wanted nothing save only wisdom. She went with the stream till she reached Linn Mná Feile “the Pool of the Modest Woman”, that is, Brí Ele — and she went ahead on her journey, but the well left its place, and she followed it to the banks of the river Tarr-cáin “Fair-back”. After this it overwhelmed her, so that her back (tarr) went upwards, and when she had come to the land on this side (of the Shannon) she tasted death. Whence Sinann and Linn Mná Féile and Tarr-cain.

The implication of this is a connection between the Otherworld and the hill of Bri Eile through water. Connla’s Well is the same donor of Hazlenuts to the same Salmon of Wisdom eaten by Fionn mac Cumhaill in the Boyhood Deeds of Fionn mentioned above. The lore of the Dindsenchas is that she fell and died after emerging from the Otherworld, becoming the River Shannon. In the ‘Metrical Dindshenchas’ (Book of Leinster) Sinand is also described as a ‘daughter of Mongan’ (who might be interpreted as an incarnation of Manannan in the texts appended to ‘The Voyage of Bran’) and donates a magical stone to Fionn. In another eponymous verse, the poet recounts of Sinand that:

Lind Mna Feile, (I speak truly),
is the name of the pool where she was drowned:
this is its proper title inherited from her
if that be the true tale to tell.

This suggests that, in conjunction with the other legends, Sinand and Eile and even Bridget might be one and the same, and we might also interpret ‘Feile’ to be a literary fixation of the indigenous local tribal name ‘Failghe‘. Add local traditions about Aine into the mix and things certainly get more interesting! Are these all the same?

In the Ulster Cycle tales, ‘Eile’ was the ‘other’ daughter of legendary High King Eochaid Feidlech, whose more famous offspring was the fairy Queen Medb of Connaught, who features prominently in the Táin Bó Cúailnge. Medb was associated with another Cruachan – Rathcroghan in Roscommon – which has similar pagan connotations. Both Cruachans were the site of significant pre-Christian cemeteries, making their connection with the Otherworld strong.

Come to think of it, ‘Eile’ and ‘Allen’ seem to derive from a similar root too: In the middle-Irish tale Acallam na Senórach (‘The Colloquy of the Ancients‘), Aillen or Áillen mac Midhna of Sídh Finnachaidh (also the sídh of Lir) is the fairy whose fiery breath burns Tara each year until defeated by Fionn, confirming the link to the Cruachan Bri Eile and the name ‘Allen’. The ‘Hill of Allen’ in Kildare is also associated with Fionn, who was supposed to live there. The Slieve Bloom mountains are the other Fenian location of note – all lying on the periphery of this great midland bog or Eirenn…

Examining the etymology of ‘Eile’ and ‘Allen’ and considering the association with beautiful fairy women and St Bridget, it is fairly obvious that the derivation in álainn – ‘beautiful’. This makes ‘Cruachan Bri Eile’ mean ‘Rock of the Beautiful Brighde’.

Another place in the locality with goddess/fairy legends is ‘Cluain Aine’ (actual location uncertain), said by John O’Donovan in his edition of the ‘Four Masters’ to be near Croghan Hill. He translates ‘Cluain’ as ‘lawn, meadow or bog island’. Aine (‘Awnya’) is, of course, a name of the goddess encountered both in medieval legends and in placenames across Ireland.

'Connla's Well'

‘Connla’s Well’

The local tradition of Bridget being associated with Bri/Brig Eile is used in the Acta Sanctorum of the Bollandists (17thC):

“S. Maccalleus Episcopus magnus, cujus eccelesia est in Cruachan Brig Eile in regione Ifalgiae, et qui posuit velum candidum supra caput S. Brigidae

Saint MacCaille the great Bishop, whose church was at Cruachan Brig Eile in the district of the Hy Falgae (Offaly), placed the white veil on the head of Saint Bridget”

This may be based upon the following from the Bethu Brighde hagiography of the 8thC:

…On a certain day she goes with seven virgins to take the veil to a foundation on the side of Cróchán of Bri Éile, where she thought that Mel the bishop dwelt. There she greets two virgins, Tol and Etol , who dwelt there. They said: ‘The bishop is not here, but in the churches of Mag Taulach.’ While saying this they behold a youth called Mac Caille, a pupil of Mel the bishop. They asked him to lead them to the bishop. He said: ‘The way is trackless, with marshes, deserts, bogs and pools.’ The saint said: ‘Extricate us [from our difficulty].’ As they proceeded on their way, he could see afterwards a straight bridge there

The hill and its environs was once the stronghold of the powerful ruling Ua Conchobhair Failghe (“O’Connor Faly”), the most significant sept of the Leinster Uí Failghe, from which tribe modern Offaly derives its name.  This seat was at Daingean (Daingean Ua bhFáilghe – formerly Phillipstown) and was a regional capital until the start of the plantations and Flight of the Earls saw its importance decline.

The former power of the historic native rulers is illustrated by annalistic references to the Battle of ‘Tochar Cruacháin Brí Eile’ between the English and the men of Ua Fáilghe, and which took place in 1385 (Source: Annals of the Four Masters). The O’Connor Fáilghe were victorious, destroying and routing the English contingent. The name ‘Tochar’ (causeway) shows that there was an ancient bog trackway here (perhaps the one mentioned in Bethu Brighde), and it must have ‘come ashore’ at the hill or near O’Connor’s castle at Old Croghan village and connected outwards to other destinations. Cruachan Bri Eile was obviously once a powerful and strategic island fortress as well as a religious centre. Archaeological evidence of its importance goes back over thousands of years.

Saint Bridget was said to have come from among these peoples, so it is no surprise that hagiographers describe this as a site where she ‘received the veil’. Another site (of equal pagan importance) also lays claim to this, however: The Hill of Uisneach, visible from Croghan across the sprawling boglands of Allen:

“Mag Teloch, where holy Brigit received the veil from the hands of Mac Caille in Uisnech in Meath.” (Tírechán, Book of Armagh)

‘Teloch’ or ‘Tulach’ means a causeway – many used to criss-cross the boglands in ancient times and there was certainly one at Cruachan Bri Eile. Whatever place you believe the supposed ‘event’ may have happened (and it depends on the tribal loyalties of the writers), you can be certain that it occurred at some place associated with the goddess of the pagan past! The words Brig and Bri seem to link to St Bridget/Brighde, supposedly ‘given the veil’ at Cruachan Bri Eile by a saint whose name sounds suspiciously like a modified form of ‘Cailleach’, and who crops up later associated with the Isle of Man – the other ‘Hy Falga’.

There was once a church dedicated to Bishop MacCaille (said to be a nephew of Patrick) on the slopes of Croghan Hill, the remains of which are still visible on the eastern slopes. The Calendar of Cashel noted that his festival was celebrated there on the 25th of April – somewhat close to Beltain just as the surrounding bog and its pools were being pierced by flowers and new summer growth! The same day was celebrated in the Isle of Man at St Maughold’s Well on an elevated headland over the sea. The well once emptied into a stone coffin-shaped structure in which the ‘saint’ was said to sleep (like Sinand in the Linn Mná Feile at Bri Eile) and Maire MacNeil commented on the Manx Lhunasa celebrations once held there.

Morgan Le Fay and the enchanter Merlin. Even wizards were prone to the charms of the Goddess...

Patrick-MacCaille and Bridget-Eile-Aine?

Other interesting placenames attached to the hill in the medieval Dindsenchas are Magh Dairbhreach and Druim Dairbhreach (‘Plain of the Oaks’ and ‘Ridge of the Oaks’), also on the east side of the hill.

All text © 2014 The Atlantic Religion, except where stated.

Sí People or Sea People?

The Aes Sídhe (Aos Sí) are the group that in Gaelic folkore are known as fairies. Their name translates to English as ‘People of Peace’ or ‘People of the Sid-Mounds’ depending upon our interpretation of Sídhe, for the word ‘Síd‘ and its variants are used in a number of ways in Gaelic literature and tradition:

The Tuatha Dé Danann live in the ‘Síd‘ mounds in Ireland’s legendary fairy bardic romance literature, for example at ‘Síd Nechtain’. The Hymn of Fiacc (6thC?) claimed that the Irish worshipped Sid, possibly suggesting a race of ?gods called ‘Sid’ or that the Irish worshipped actual mounds. Another hagiographic work from the Book of Armagh (Tírechán‘s Collecteana) describes the reaction of some aristocratic women visiting a holy well at Cruachan, where they meet Patrick and his party, and initially believe them to be

‘viros side aut deorum terrenorum aut fantasiam

This can read ‘Sídhe-men or gods of the earth or apparitions’ or ”Sídhe-men: either gods of the earth or apparitions” depending on how you interpret the Latin (aut … aut …). It is possible that the author was unsure of the definition of the terms…

17thC Irish Historian Ruaidhrí Ó Flaithbheartaigh (Roderic O’Flaherty) made this appraisal of the ‘fair folk’:

“The Irish called aerial spirits or phantoms sidhe, because they are seen to come out of pleasant hills, where the common people imagine they reside, which fictitious habitations are called by us Sidhe or Síodha. ”    (Trans. John O’Donovan)

His summation pretty much expresses the continuing Irish belief. However in the other Gaelic cultural and linguistic territories – the Isle of Man and Scotland – the usage of the term is often open to wider interpretation:

The Manx term ‘Shee’ is less commonly found in relation to geographical locations, although Manx fairy tales often involve visits to subterranean places just as in the Irish traditions. Manx fairies are more often found in wild, peaceful and out-of-the-way locations, suggesting the other Manx etymology of ‘Shee’ – peace – which also corresponds to the inverted state of active daily living.  The same goes for Scottish fairy places called Sithean, which can just as well be secluded places as they can be hillocks or ruins of prehistoric buildings. What the Irish would have called ‘Gentle’ places during the 19thC, frequented by ‘Gentry’ – all Anglo-Irish derivations of the Latin words Gens and Gentes, meaning ‘(a) people’ – generations.

A root-analysis of the words sharing the ‘sith-‘ or ‘sid-‘ prefix in the Irish language can be made by taking a quick look at the online version of the Electronic Dictionary of the Irish Language (‘eDiL’), and is quite revealing. For example:

síd (síodh/sídh/sídhe) – a fairy hill or mound:; wondrous, enchanting, charm-  ing, delightful; In pl. = áes síde supernatural beings, fairies:;

síd/sidi – peace, goodwill, peaceableness;  a state of peace;  a period  of peace, a truce;

sith- (prefix) – long;

síthcháin – peace, a state of peace, a compact  of peace; atonement

sithe/sithi; – permanence (?), lastingness (?);

sithithir/sithir – ‘as long  as’;

Of further interest is how eDiL deals with the term ‘Side’ and its variants:

side (sided/sith/sidi)– a blast or gust (of wind); rush, violent onset, swoop (of a bird), spring (of an  animal); Examples given include the usage: sidhe gaoíthe which folklorists believe means ‘fairy wind’.

The intuitive meaning here for me is that all of these words are related to a common root – one of ‘onset’ or ‘springing up’ and ‘persistence’ which fit with the idea of fairies as the ANCESTORS.

Tírechán, in his collected accounts of Patrick, uses the term ‘Viros side’ to describe what some women think the saint and his companions are when they see them at the spring (fontem) known as Clebach. He does not use ‘Gens side’ or similar but explicitly comments upon their masculine sex. Why?

The first clue lies in the location: Cruachan Hill (‘Cruachan Bri Eile’), probably the Hill of Croghan in Co.Offaly,  bordering the Bog of Allen – a location with some interesting legends and archaeology suggesting it was once a significant place in the pagan Otherworld belief system. The second clue lies in what the women are doing – visiting a spring well. Water was seen as a ‘bridge’ to the fairy world – its reflective qualities suggesting the inverted ‘other’ state. Just as in all of the traditional fairy tales of boy-meets-girl – a woman would expect the síd people she met to be masculine in form, hence ‘Viros Side’

The connection with water and the otherworld is a very strong one in ancient Atlantic European mythology. To the Gaels, the otherworld was sometimes conceived as an island west of the great sea. It might seem frivolous at this point to mention the allusion in the title of this post to a similarity between the Gaelic word síd and the English ‘Sea‘ (from Old English ). However, this equation may not be as fanciful as it at first sounds…

The Germanic word ‘see‘ and its variants is very old, and in its original sense it appears to have referred to any standing body of water. The holy lake in which Tacitus (Germania) tells us ‘Nerthus‘ was bathed in her/his chariot before its attendant slaves were drowned there would represent a ‘sea’ by the old definition. Drowning in pools was almost certainly the fate of the high status Iron Age male bog-body retrieved in 2003 from the Bog of Allen, near to where the girls met those reluctant christian ‘viros side’. Given the importance of raths (often with moats) and crannogs in fairy mythology, it is perhaps worth considering if there is a connection between , síd and ‘sea’…

The ‘Sith’ – Fairies in the medieval Celtic world

We have heard from Caesar and other Roman writers that the Druids of Atlantic Europe used to teach that the soul was recycled into another body after death (metempsychosis), and that this was one of the core doctrines of the Atlantic Religion. Rome swept up through Gaul and Britannia during the 1stC BCE and the 1stC CE actively purging the religion and replacing it with its own new ‘Gallo-Roman’ and ‘Romano-British’ interpretations of religion, the evidence for which we have from multiple epigraphic (inscriptional) sources.

Following the collapse of paganism within the Roman Empire caused by its over-extension and loss of contact with original precepts, Rome’s leaders chose a monotheistic middle-eastern religion to prop up the apical nature of the Imperium. This system could not sustain its grip upon the western parts of its territories, and it subsequently withdrew from these and moved its centre of power to Constantinople. This left the western religious landscape in a state of flux, which Christian religious leaders were keen to exploit.

Britannia – nominally Christian in the 5thC CE – was, following a re-expansion of the peoples and ideas suppressed by the Romans, invaded and dominated by potent pagan cultures (themselves Romanised pagans) from the Atlantic coasts of what is now Germany and Denmark, invited by Romanised christian Britons to restore order. As it appeared that Britannia had reverted to paganism, there was a shift of focus in the Christian evangelical mission to the non-Romanised districts of the East Atlantic Archipelago: Ireland, the Hebrides and Scotland. One of the most famous missionaries during this period was a (Romano-) British man known as ‘Patricius’ or ‘Patrick’ (‘Father’).

Ireland and much of Scotland, Wales and the Isle of Man were largely untouched by the Roman re-invention of paganism during the Imperial era. For this reason, when Christianity arrived it had more flexibility in determining how it was to replace the old religious ways of Druidism. Even though it was written a couple of centuries after Patrick’s arrival in Eirenn, Tírechán’s 7th/8thC account of his conquest (recorded in the Book of Armagh) suggests that the native Irish believed in ‘Side’ and ‘Gods of the Earth’, based upon the his description of the reaction of some native princesses worshipping at a pagan holy well when Patrick and his followers suddenly arrive:

Et quo cumque essent

aut qua cumque forma

aut qua cumque plebe

aut qua cumque regione non cognouerunt

sed illos uiros side

aut deorum terrenorum

aut fantassium estimauerunt

“..and they did not know from what place or of what shape or from which people or from what region they were, but they thought they were men of the Sid or gods of the earth or apparitions…”

The standard explanations of the term ‘Side’/’Sid’ or ‘Sidhe’ (pronounced both as ‘Sith’ and ‘Shee’ and somewhere in between) is ‘Peace’, suggesting a state cognate with death. The term was also used in relation to the ancient man-made mounds that pepper the landscape of Ireland. In fact, as we shall see, the Atlantic belief was one where the Sid were a race whose existence was an opposite state to that of the living. Tírechán in fact draws a distinction between the ‘Side’ and gods when describing the women’s attempts to rationalise the appearance of the strangely attired men.

   That Patrick spent a considerable amount of time lurking at pagan sites and preaching to surprised potential converts is attested elsewhere in the fragmentary early medieval literature and accounts of him. The oldest Patrician text (other than the supposedly autobiographical Confessions) is known as the Hymn of Fiacc, which probably dates from the 7th or 8thC CE albeit citing a tradition and author contemporary to Patrick (a Christianised Bard called Fiacc). It describes the saint spending his time at pagan sites, spending the nights in ponds and the days on mountains, and sleeping on rocks in order to achieve his goals. This suggests such places to be the key pagan holy sites. The Old Irish Hymn (originally copied into mss hymnbooks) also refers to the Side or ‘fairies’:

for tūaith Hérenn bái temel

tūatha adortais síde

On the people of Erin there was darkness;

    The Tuatha adored the Side;

The terms ‘Sid’ and ‘Side’ have been glossed or explained in various copies of these ancient medieval texts as idla (from the Greek: Eidola = Apparitions) . Between the 16th and early 18th centuries, English, Scots and Irish author-observers (eg – Edmund Spenser, WIlliam Camden, Rory O’Flaherty, Robert Kirk, Martin Martin and George Waldron) were commenting on the popular belief in the fairies (or Sidhe/Sith) and visions of apparitions in the old ‘Celtic’ (Atlantic) provinces: Ireland, Scotland, the Hebrides and the Isle of Man. Theirs were a valuable look into the beliefs of a pre-industrial world, essentially unchanged in many of its traditional mannerisms, lifestyles and beliefs since the era of Patrick, Fiacc and Tírechán…