Solar origins of the ‘Twelve Days of Christmas’ and Christianity.

Roman era iconographic depiction of Apollo in mosaic, Tunisia. The similarity to later depictions of Jesus in both the Eastern and Western traditions is striking.

Roman era iconographic depiction of Apollo in mosaic, Tunisia. The similarity to later depictions of Jesus in both the Eastern and Western traditions is striking.

The number twelve has a strange significance in the reckoning of time:

There are twelve solar months, corresponding roughly to twelve zodiacal houses along the sun’s ecliptic path. In the Christian myth, Christ is followed by 12 apostles.

There are traditionally twelve ‘hours’ of daylight, as reckoned by sun-dials, and hence we derive our twenty four hours of daylight and night which comprise our unit of one solar ‘day’. This is known as ‘apparent solar time’, as compared to the clock-time we tend to keep in modern times, known as ‘mean solar time’.

There is a difference of roughly twelve days between the old ‘Julian’ and newer ‘Gregorian’ calendric systems in use in Europe and Asia Minor. These changes were instituted to prevent the celebration of Easter (calculated based on the Jewish Lunar calendar) from creeping further away from the Spring Equinox into summer.

There are twelve days marking the traditional European and Eastern ‘Christmas’ or ‘Yule’ festive midwinter period… These were sometimes each looked upon as representing a separate month of the solar year in many pre-modern European cultures. Yuletide began at the winter solstice (approx. 22nd December) and finished on the 3rd January, whereas Christmastide was from 25th December to 6th January (Epiphany).

Origins of Christmas Day:

The establishment of the date of the Nativity festival on the 25th December in Christianity was not in fact formally agreed upon for hundreds of years after the era of Jesus’ supposed life and death. In the late pagan Roman Empire, the 25th day of December was celebrated as Natalis Invicti – the rebirth of the deified ‘Unconquerable Sun’ – Sol Invictus. Although introduced as a late Imperial Cult under Aurelian in 274CE (250 years or so after the death of Jesus) the cult of Sol Invictus was probably in response to the profusion of mystery cults throughout the Roman Empire which employed the iconography of a youthful solar male god, seemingly derived from the older depictions of older gods such as Apollo, Adonis and Attis. Adonis, etymologically at least, appears to have a Semitic origin (compare Adonai – ‘Lord’). These had their origins in the principles of Solar godhood attached to the great ‘static’ or ‘official’ mystery cults of the 1st millennium BCE: Those of Delian Apollo, Apollo at DelphiEleusis, Samothrace and the mysteries of Cybele and Attis in Phrygia, among others. Such cults generally relied upon visitation of geographical loci – fixed cult sites – and the participation in initiatory ritual for the purposes of either receiving oracles, healing or higher knowledge. They themselves may have developed from popular extensions of the originally more closely-guarded inner mystery ritual traditions surrounding the elite classes of kings and religious hierophants of the earlier ‘palatial’ cultures (Minoan and Mycenaean), themselves copying the ancient Mesopotamian and Egyptian cultures, which are the oldest for which we have evidence, and were in continuity until at least the start of the 1st millennium CE.

Wars with Carthage and the great movements of the ‘barbarian’ Celts during Rome’s Late Republican Era (c.3rdC BCE) led to the importation of ‘foreign’ mystery religions such as that of Cybele and her ecstatic priests into Rome during the late Punic wars. Another popular ecstatic religious mystery cult was that of the Bacchanalia (Dionysia) from Greece. The Celtic fanaticism towards the solar god Apollo (whom they knew as Belenos) caused them to actually invade Greece and sack Delphi in 179BCE! These events, along with Rome’s increasing expansion and cultural interaction led to the surge in popularity of mystery religions in general during the late Republican era, such that by the 1stC CE  Roman Emperors were themselves visiting Eleusis and Samothrace to become initiates. These cults purported to explain the secrets of the sun, the moon, the planets and stars and the deepest mysteries of nature, death and regeneration. Perhaps unsurprisingly, the life-giving Sun was a key part of this, and became part of a new ‘elementalism’ and drive towards simplification and ‘portability’ of mythology.

As the Roman and Greek cultural polities expanded and prospered, initiatory mystery religions became less an indulgence of the elites, and also less attached to fixed geographical locations, developing into a plethora of mobile ideological ‘franchises’ enjoyed by more ordinary persons. These almost certainly plagiarised the secrets and mythological frameworks of the older ‘official’ mysteries whose (often wealthy) initiates and suppliants were supposed to keep their secrets on pain of death or spiritual torment, and such mysteries were gradually bought out into the open and discussed and theorised over. This process was aided by the diffusion of literacy and the spread of and development of the ideas of the ‘Philosophers ‘of classical and Hellenistic era ‘Magna Graecia’ who sought to analyse the constancies and truths behind ancient orally-transmitted mythology.

A good example of such reductionist processes at their apotheosis are the ‘Hermetic’ and ‘Gnostic’ cults in Hellenized Asia Minor, Middle East and North Africa, of which Christianity was to emerge as an early branch within the fractious and millenarianist Hasmonean-era Jewish world with its significant diaspora. These employed Pythagorean, Platonic and Epicurean reductionist theories and a discourse involving the principles of the soul as a form of undying light in their prophetic religious narratives, barely hiding such ideas behind the character narratives of older mythologies.

Such explicit intellectualism was not to everyone’s taste, of course, and other more semiotic forms of mystery cults based upon ritual, myth and symbolism served the needs of those with more traditional (less orientalised) tastes. Orphism was perhaps the oldest and best-established of these traditions – possibly the ‘granddaddy’ of them all, with its origins in the first half of the 1st millennium BCE at least. Its initiates sought to ‘purify’ themselves in order to achieve a better afterlife. Mithraism was certainly the most popular of the newer cults, spreading from Asia Minor into the most northern and western extents of the Roman Empire between the 1st and 3rd centuries of the Common Era. Similar popular mystery religions centred around the Thracian god Sabazios (a regional relative of Dionysus) and European syncretic cults involving the Celtic gods, such as that of the ‘Danubian Horsemen’ involving Epona in Eastern and northern Europe, and a profusion of others more poorly understood due to paucity of material evidence. These all had the common trait of emphasising the position of the characters of ‘Sol’ and ‘Luna’ in their iconography – almost as a ‘badge’ of their ‘mystery’ status.

A Roman relief depicting the banquet of Sol, Luna and Mithras.

A Roman relief depicting the banquet of Sol, Luna and Mithras.

An exquisite example of a plaque depicting the 'Danubian Horsemen' and their central goddess... seemingly a version of Epona.

A plaque depicting the ‘Danubian Horsemen’ and their central goddess (Epona): Sol Invictus rides his quadriga at the top of the image, which deals with the imagery of the cult’s mysteries.

Sol and Luna stand above Sabazios in this cultic Roman plaque

Sol and Luna stand above Sabazios in this cultic Roman plaque

A coin of Emperor Constantine I who converted to Christianity and took the Empire with him. The depiction on the obverse is of Sol Invictus.

A coin of Emperor Constantine I who converted the Roman Empire to Christianity. The depiction on the obverse is of Sol Invictus – a vision of where things were heading?

The deified sun was conflated in this era with the older Greek  god Apollo, whose identity was favoured by the Romanised Celtic peoples from the Danube basin to the Atlantic northwest of Europe, in their own syncretic cults. Such cults throughout the Empire had displaced those of the older Capitoline and Olympian Roman and Greek deities among the general populations, although these still had a civic role to play.

Perhaps the most important, popular and long-running cult of the elder Greek gods was that of Dionysus, whose oldest festival – the Rural Dionysia – coincided with the period of the winter solstice whose Greek month was named in honour of the ancient sea god: Poseidonia. This was a festival of dressing up in the guise of the retinue of the god: men as satyrs or silenoi and women as maenads. It was also, significantly, a festival of the epiphany of Dionysus to mankind, which celebrated the god’s transubstantiation of water into wine and the mysteries of budding nature: themes obviously borrowed into later christianity. At Delphi, there was a tradition that Apollo left to live among the Hyperboreans during the month when Dionysus manifested among the people at this festival, at which there was much singing of popular songs by all classes in Greek society – a tradition surviving in the modern European Christmas singing festivities.

After the third century CE the rise of iconoclastic, literate, literalised and intellectualised religious tendencies in the Hellenized Eastern Empire and North Africa was increasingly to eclipse the western traditions of mysterious figurative mythology, which had been at the cornerstone of European religion for millennia. Apollo, Sol, Belenos, Attis, Dionysus and Adonis became ‘Logos’ – replaced by an intellectual man-god who claimed to be ‘the light of the world’, promising – in return for an oath of allegiance – ‘regeneration’ after death into a divine afterlife, safe from the confusion of life. The perfect model of benevolent Imperial power in fact…

Early Christian writers attest to the disagreement between the supposed Nativity day – one for which there is obviously no precedent in the ‘gospel’ traditions, yet which – as the temporal power of the Christian religion grew – became more important to establish, in order that the ‘church’ might exert leadership over the people and displace the pagan festivities.

The earliest Christian authors from whom we have records and quotations make no reference to a celebration of Christ’s nativity. Origen of Alexandria (245CE) and Arnobius (303CE) both scorn the idea that holy men should have their birthdays celebrated, and imply that this is a practice of sinners.

The earliest reference  from Rome itself to a Nativity festival for Christ held on the 25th of December (the festival of the Rebirth of the Unconquered Sun) is in a document produced for a wealthy Christian named Valentinus in 354CE (‘The Calendar of Philocalus’), of which only copies survive. However, there is evidence that the main focus of the Empire in the East at Constantinople was celebrating the nativity on 6th of January at this time, and it would not be until the advent of the 5th century that the 25th of December would hold sway across all of the main Christian patriarchies (Rome, Constantinople, Antioch, Jerusalem and Alexandria), in the drive for Orthodoxy which followed the establishment of the religion as a state Imperial cult, as well as the religion followed by Christianised kings who established themselves in the ruins of Rome’s collapsed western Empire in Atlantic Europe.
It is interesting why the arguments often veered between dating the nativity on the 6th of January (still favoured by the Armenian Church) or the 25th of December: Other recorded early traditions even put the nativity closer to the summer solstice, although these were roundly dismissed in favour of the midwinter dating, corresponding to the solar rebirth festivals of paganism. One must remember that early Christianity was spread across the vast Roman Empire, and was well established at centres such as Jerusalem, Alexandria, Rome, Constantinople and Antioch before the pagan system was rejected by the Emperors. There was no formal agreement as to the structure of festivities, except where there was literal evidence from scriptures.

Pagan Rome’s Empire and the Hellenized cultures it was enveloping generally exercised a policy of syncretism and acceptance of diversity, whereas the new literature-based Abrahamic monotheism was based upon inclusion/exclusion determined by active profession of faith and the purificatory symbolic act of baptism. Before its imposition as state religion within the Empire, Christianity was a religion of the faithful that need pay no heed to incorporating pagan ideas. As a state religion though, compromises were necessary and the religion ‘swallowed the blue pill’ in order to incorporate more peacefully with humanity and establish itself at the centre of power. Hence the use of the day of the Nativity of Sol Invictus as the celebration of the Nativity of Jesus.

Solar aspects of Epiphany/Theophany:

The indecision between the significance of nativity and epiphany perhaps recognised the importance to Christians of ‘spiritual’ birth or ‘revelation of the godhead’ to the people over the material act of parturition, which after all involved vaginas, body fluids and loco-feminis – ideas considered ‘spiritually unclean’ and somewhat repulsive to patristic religions, and Abrahamic ones in particular. The ‘Epiphany’ represented the cultic dedication of the Christ child to humanity, in the form of his supposed unveiling to the ‘Magi’ in the nativity story. It was a retelling of the Greek myths of the hiding of the infant Zeus from his father Kronos who sought to destroy him, and the visiting of various divine beings to the cave which sheltered him.

Jesus’ circumcision – the Attis/Ouranos myth retold?

Another festival prior to Epiphany celebrated Christ’s initial dedication to the jealous tribal god of Judaea – Yahweh – whose introduction by the post-exilic elites of Judah to the polytheistic semitic world marked a watershed in the eventual decline in the religious diversity of the ancient world of the Europe, Africa and the Middle East. Yahweh demanded absolute obedience from birth, including the marking by genital mutilation of male children, and the circumcision of Jesus was celebrated on the 1st of January, the first day of the first month of a new solar year. This – in Jewish custom – is supposed to occur within 8 days of birth, and is usually accompanied by the child’s naming, so prefigures the development of ‘Logos’ (in the words of John: ‘…The Word became flesh and made his dwelling among us. We have seen his glory, the glory of the One and Only, who came from the Father, full of grace and truth…’ ) and the inevitable Epiphany. There are older precedents for it: in particular, the sacrifice of genitalia by a youthful solar deity was a religious theme not uncommon to more ancient mythologies: The Greeks told the story of the Titan proto-god Kronos (associated with the Roman Saturnalia festival) castrating his child-slaying father Ouranos (the personified sky) with a sickle to spare the children Ouranos had created, and the Phrygians told the myth of their male solar-God Attis castrating himself in a similarly fertile mystic self-sacrifice to the Earth goddess, Cybele. Perhaps the Greek myth of Apollon (Apollo) killing the great Python of Delphi has similar mystic origins, as do the ithyphallic Dionysian, Hermetic and Orphic traditions also popular at the time of the inception of Christianity.

Perihelion and lengthening days:

The period between 1st and 6th of January marks a time when the sun begins to show a definite change in elevation in the sky and days are perceptibly longer. This is also currently the time when the Earth is closest to the Sun in its orbit – the ‘Perihelion’ – when the planet’s southern hemisphere scorches and the northern is tilted into the depths of its winter.

The Solar-Oceanic gods:

This midwinter solstice period also corresponded roughly to the sixth month of the ancient Greek calendar: Poseidonia. Poseidon was one of the oldest Greek gods, being mentioned before the inception of the Olympians in the Linear B texts surviving from the Mycenaean era of the 2nd millennium BCE. He corresponds in this sense to the ‘elder’ god Kronos, who was father of Zeus in Hesiod’s archaic-era ‘Theogony’, and who was ruler of the Golden Age typically celebrated in Rome’s winter solstice celebration: Saturnalia.  The Kronides – monstrous children of Kronos who pepper Greek myths – are the typical adversaries of ancient Greek heroes venturing to the far reaches of the encircling world-river, Okeanos, and Kronos-Poseidon corresponds incredibly closely to the ancient Gaelic Solar-Oceanic god-character Manannán in this regard. As god of the afterlife he was a perfect hypostasis of the Solar Jesus, introduced so successfully and so early among the non-Romanised pagan Gael of the Atlantic West….

 

 

 

 

The pagan roots of St Martin’s day – 11th November

A German statue of St Martin donating his cloak to the poor man.

A German statue of St Martin donating his cloak to the poor man.

In my previous post I discussed the significance of Armistice Day falling on the 11th of November, which is also St Martin’s day: St Martin of Tours (d.397 CE) was a ‘military’ saint of the early Christian church who evangelised northern Gaul, and who is celebrated as one of the more important ‘local’ saints in northern Europe, along with characters such as St Patrick. St Martin’s day falls on the ‘old’ (Julian calendar) All Saints’ Day (‘Hallowe’en’) and is therefore linked to the celebrations of the Celtish quarter-day festival knownamong the Gaels as Samhain, and which is observed in reverence to the souls of the dead.

Processions and ritual begging:

St Martin’s day (and St Martin’s Eve) customs perhaps unsurprisingly share similarities with those of Hallowe’en: In Germany, for instance, the Gripschen or Heischebrauch customs of children going from door to door begging gifts of food, sweets etc in return for songs (Martinsleid) is associated with St Martin’s day (Martinstag). In Germany – as elsewhere in Europe – this custom was also associated with the medieval ‘souling‘ traditions observed variously on All Hallows day (1st November) or All Hallows Eve (31st October) as well as All Souls’ day (2nd November). In ‘souling’ people would go door to door offering prayers for the dead in return for the gift of ‘soul cakes’. This seems to have evolved into the modern Hallowe’en ‘trick or treat’ custom, but was a feature of other festivals of the ‘winter quarter’, such as the Christmastide ‘wassailing’ and ‘guising’ tradition parties of ancient European tradition. Ritual begging was therefore an ancient and important cultural custom, and the idea of receiving divine favour in return for bestowing hospitality on the poor and needy was a key element to religious observances of the Christian and pre-Christian eras (for example, the Roman and Greek festivals of Saturnalia and Kronia).

The most popular legend of St Martin is that of him dividing his soldier’s cloak to share it with a freezing beggar (who was then revealed to him in a vision to have been Christ personified), hence the association of Martin’s festival with begging traditions. In modern Germany and other north European countries, children take part in lantern processions on St Martin’s eve and these are usually led by a man dressed as the saint – often depicted as a Roman soldier with a large cape on horseback. These processions culminate in the St Martin’s bonfires, at which people eat traditional foods and drinks (such as gluwein). Similar festivities in modern Britain occur on 5th November (divested of any Catholic trappings, and often with pyromaniac Protestant iconoclasms). In Ireland bonfire celebrations were formerly held at Samhain. It is evident that they are all based on an older seasonal tradition which has diversified with time and changes to the political and religious landscape.

The spirits of the dead were, before and after the advent of christianity, associated with a hunger for the warmth and fecundity of our world. The act of appeasing the needy and hungry can be thought of in technical terms as assuaging this ‘pull’ from the otherworld which might threaten our imminent ‘crossing over’ to join the dead.

Martin the warrior:

The legend of Martin of Tours given us by Sulpicius Severus (4th/5thC CE) says that he was originally a Danubian noble serving in a Roman cavalry outfit who, through a process of divine revelation, transitions from a physical form of warfare to the spiritual one of the Christian narrative. This in itself is illustrative of the ‘spiritual rebirth’ through which followers of his religion defined themselves – then and now. This confusion of death and life was typical of the ancient pagan European worldview about warfare and death, a view which was personified by Martin’s namesake – the Roman god Mars who (unlike his Greek counterpart Ares) represented chthonic wealth as well as war. That Martinmas comes at time when it is traditional in Europe to make a celebration of agricultural fertility and full winter stores is therefore intriguing.

In the skies, the season is marked by the prominence of the great winter ‘warrior’ (or ‘hunter’) constellation of Orion – imagined as a man holding high a sword and shield. Another interpretation might be a herdsman – cattle were generally moved from pasture into their winter stalls by Martinmas, and the ‘campaigning season’ for warfare was over. The warrior-hunter-herdsman constellation being displayed in the heavens might possibly have been viewed as an indicator that such activities on earth should cease. In Germany another old tradition used to be of herdsmen giving a ritual bundle of branches (the Martinsgerte – ‘Martin’s Switch’) to the farmer at Martinmas, which would be used the next Whitsuntide (Beltain) to drive the cattle to their summer pastures. This may represent the fact that herding was seasonal hired work, and in many places St Martin’s Day was a traditional holiday for herdsmen, who also identified with St George. Whatever the case, wands or switches crop up in many European winter folk-traditions and performances from before the modern age.

Association with horses:

Martin was said to have been of Illyrian birth – from the ‘Danubian’ provinces of the late Roman empire. Eastern Europe and Germania provided many of the elite cavalry units of the Roman army, and from the late 3rd century military men from these regions came to dominate the upper echelons of the Roman military hierarchy, even providing Emperors. This rise of the ‘Equites’ would in turn syncretise with the military traditions of the western Celtic tribes and eventually give rise to the European ‘knights’ of the middle ages. Martin bestrode both such worlds and his iconography demonstrates this. In the Gallo-Roman world he came to evangelise, as well as the Celticised Danubian provinces of the late Empire the cult of Epona – supposedly a Celtic horse-goddess – was prevalent, especially among military elites. This appears to have had a special Danubian flavour added to it in Eastern Europe, where her cult was linked to that of the ancient Greco-Roman Dioskoroi – the twin brothers who were expert horsemen, and whose legend suggested one was human and the other divine. It is possible that Martin’s father was aware of or even participated in such a cult, as he was said not to have been Christian. Mystery cults – particularly that of Mithras – were prevalent among the late Imperial military.

Martin’s figurative rejection of his military calling as one of the Equites (as told by Sulpicius Severus) can be interpreted as a rejection of the figurative cultural importance of the horse among his chosen flock, whose coins before the Roman conquest almost universally depicted the image of the horse along with a multitude of spiritually significant symbols. Severus tells a number of stories of Martin destroying the sacred groves and temples of Gaulish pagans, so the narrative of his hagiography needed to account for this. Tours was a ‘Belgic’ part of Gaul, strongly influenced by the military-spiritual late Iron Age cultural movement which appears to have stimulated the Celtic expansion of the ‘La Téne’ era of the second half of the 1st millennium BCE.

Association with birds:

Apart from the ritualised begging and celebrations of altruism, there is another old custom associated with St Martin’s day, involving birds. This is represented in Germany by the eating of a goose (the Martinsgans) at a special meal in honour of the saint, although duck is the more favoured bird in modern times. The reason given for this custom is based on the hagiography left by Martin’s contemporary, Sulpicius Severus, who declared the saint’s modesty as one of his virtues, illustrating it by the tale that Martin hid in a goose-shed when the crowds at Tours wished to elevate him to the rank of Bishop. The geese proclaimed his presence and he was forced to accept the honour.

Irrespective of the hagiographic legends, it was traditional at this time of the ancient subsistence agriculture cycle of Europe  to slaughter geese and pigs (both of which could be salted down to be preserved for the winter). In German ethno-linguistic regions the Schlachtfest (‘Slaughter Festival’) usually coincided with Martinmas. The tradition of animal slaughter at this period might explain the former custom in parts of Ireland of the Martinmas cockerel, which used to be slaughtered on St Martin’s Eve by bleeding. Sometimes a goose was used. The custom survived well into the 20thC – blood from the bird was dripped at the boundaries, corners and portals of the homestead or farmstead in order to procure luck (or protection from the saint) for the coming year. The bird was then eaten at a special meal (meat was only ever an occasional luxury in former times). This bird-slaughtering tradition evolved into the American settlers’ ‘Thanksgiving’ festival, celebrated on the third Thursday of November. All-Hallows or Martinmas were also traditional festivals at which tithes were traditionally paid to churches, and when servants were hired or released from service, sometimes a time when rents were paid. The ‘functional’ aspects of such festivals were sometimes displaced to Michaelmas – and although not practised on Martinmas, the tradition of a goose-feast at Michaelmas (29th September) was observed in Britain. when rents and tithes were often expected. Perhaps variations in the harvest-period between regions have informed this plasticity.

In the Isle of Man the custom of slaughtering a fowl was formerly celebrated on St Catherine’s day (25th November – a closer analogue of Thanksgiving) when a female hen suffered its fate, and was committed to a ‘solemn’ burial (perhaps made less solemn by the inebriated state of the celebrants) as part of the festivities of the tiny island nation’s St Catherine’s fairs. The meaning of the Manx ‘St Catherine’s Hen’ and its ritual slaughter and burial at a public fair is obscure – it could be anything from a pagan survival to a modern form of anti-clericalism or anti-Catholicism. What is similar, however, is the better-known bird-killing ritual involving the slaughter of a wren on the same island on the 26th December (St Stephen’s Day), suggesting a pre-Christian avian tradition. In avowedly Catholic Ireland this custom also occurred and in both countries (Mannin and Ireland) there were legends suggesting the wren was the personification of a powerful female fairy, leaving us to conclude that the ritual slaughter of a bird during the winter quarter had some religious significance in the ancient Atlantic world.

Returning to St Martin (and the 11th of November), it is worth commenting on some other bird-related associations. Not in the least is the use of the name ‘Martin’ for a class of bird of the family Hirundinidae, including the Swallows, House Martins, Sand Martins etc. These are migratory birds who appear in Europe during the late spring-time, and are usually departed to their over-wintering locations by the 11th of November. Anciently it was believed that, rather than migrating, they in fact slept over winter at the bottom of ponds and rivers. This belief may be based upon the observation of these species regularly skimming down over water in order to drink while ‘on the wing’.  By the same estimation, flocks of migratory plovers coming in to roost and feed on estuarine mudflats often appear to be ‘diving’ into the water. In ancient Rhodes (so the 2ndC CE Greek poet Athenaeus tell us) were beggars known as the Chelidonistai (‘Swallow Men’) who would come around in early springtime with the arrival of the swallows and sing traditional songs in order to earn alms. He mentions another class known to him (Coronistai) who carried a dead crow or raven and also solicited alms through a song. Obviously, there is a parallel with the Christianised medieval traditions of ritualised begging, so important to the Christian narrative. These were celebrated in Swabia (Upper Bavaria) at Whitsuntide (the closest Christian festival to Beltain) by the ‘Waterbird Men’, who performed songs for alms. Frazer (‘The Golden Bough’) quotes various German authors saying how these as also going into the forests to gather oak branches and other greenery, as well as sometimes diving into water, or throwing straw effigies of a large bird into water. In medieval times a wooden bird was displayed in Bavarian churches at Whitsun, evidently to depict Jesus, but possibly part of a Christianised tradition of the pagans. Like the Manx and Irish ‘Wren Boys’ these Whitsuntide parties of young men dressed in white, and wore red sashes. Just which ‘water bird’ species (if any) was intended is unclear – it may be that the placing of the bird in water was the origin of the name. Beltain is 6 months from Samhain – at the other side of winter – and St Martin also enjoyed a more ancient midsummer feast (Martinus aestivus, 4th July). The ‘Martin’s Bird’ (Martinsvögel) in Germany might also refer to an old tradition of a bird-shaped harvest sheaf (possibly even the one once cast into the water at Whitsuntide in Swabia), and is also the name sometimes given to other bird species such as the Black or Greater Spotted Woodpecker, the goose or even the Ladybird (also associated in German legend with Frau Holle).

The symbolism of migratory birds seems ideals for expressing the cycles of death and rebirth. These are best represented in European legends by species such as the Martins and Swifts, the Geese and Swans, and aquatic species such as the Plovers. St Martin was credited with bringing Christianity (which promised renewal not in this world but another one) to much of the notoriously militant, formerly barbarian Romanised cultures of north Europe. His name and military aspect seem like a fitting identity for someone who converted the Gauls from their vestiges of druidism, which taught that the soul flies from the body after death and is renewed in a far-off place before returning again in a new incarnation. Such empirical and spiritual symbolism pervades the legends and folklore of  Celtish and related European cultures, and survives the Christian era – testament to the power of the old and mysterious worldview.

Armistice Day – The Day of the Dead

The poppy has represented rebirth since ancient times.

The poppy has represented rebirth since ancient times.

Armistice Day is observed on the date of the momentous ‘Armistice of Compiègne’ – the agreement by which the Allies and Germany formally concluded hostilities of the ‘The Great War’ on the 11th hour of the 11th day of November 1918. It marked a culmination of the collapse of German military might on the western and eastern fronts and a revolutionary overthrow of its domestic political order, enforcing the necessity to surrender. Rather than being a celebration of victory, where the day (and hour) is universally observed, it is in commemoration for the massed ranks of the dead, butchered in unbelievably savage conditions in Europe’s once green and beautiful fields, and among her once majestic, now shattered ancient towns and cities. The date itself is curious. The 11th of November has deep shared meaning to north Europeans for a number of reasons:

St Martin’s Day:

The 11th day of the 11th month of the Gregorian calendar is marked by a popular religious festival in the calendar of Saints of the Roman Catholic church – the Feast of St Martin of Tours, commemorating one of northern Europe’s early Christian proselytes and famous ‘military saint’. The name ‘Martin’ is, of course a reference to Mars – ancient Romes’s chthonic war-god. Christian activists often adopted a name upon receiving their new faith, or upon being inducted into a religious community, and ‘Martin’ is the name given by the late Roman-era Christian writer Sulpicus Severus for this former Roman soldier-turned-ascetic who was nominated as the first Christian bishop of Tours and credited with spread of christianity in pagan northern Gaul, Germany and Britain. His most famous legend tells of him cutting his cloak to give half to a freezing beggar who is supposedly then revealed to him as Christ personified. He is often depicted riding a horse.

The popularity of Martin’s festival (also known in English-speaking regions as Martinmas) is largely because it represented a time of first frosts, when harvests had been gathered and store-rooms were full. In other words, it was the start of winter. Popular festivities and feasting with special foods (e.g. – the traditional Martinmas goose) were/are particularly observed in catholic north Europe, and meld with some strange and distinctly pagan customs – also involving birds: In particular, an Irish custom of beheading a cockerel and dripping its blood at the corners and portals of the homestead to ensure pluck and protection for the coming year. Rather than being a devoutly religious festival, it was also a time of secular celebration with cultural an calendrical associations with another festival, perhaps more widely known to us in modern times:

Hallowe’en, All Saints Day, Samhain: 

Hallowe’en or All Saint’s Day is observed on the 31st October/1st November. It appears to be based upon the old Atlantic ‘cross-quarter-day’ festival known in Irish as Samhain, at which the dead are traditionally remembered at the advent of Winter. Fires are lit and processions of young people go out in the night on exciting and wild adventures invoking the fear of death as part of its celebration. In this way, it mirrors the tamer festivities of the next most popular ‘religious’ festival, which is (of course) St Martin’s day on the 11th of November. Why should this be so?

The period between St Martin’s day and Samhain – some 12 days – corresponds to the calendrical shift between the old Julian calendar and the Gregorian calendar first instituted under the Papal curia in 1582 by Pope Gregory XIII. The Julian calendar (still to this day employed by the Orthodox Christian church in Eastern Europe) was in common use in many parts of northern Europe until the late 18thC when all nations under Protestant influence finally acceded to it. As many traditional festivals were seasonal celebrations, this inevitably led to a deal of inertia in accepting the new calendar: after all, it was the calendar that had changed (to accommodate the church’s need to slow the ‘creep’ of its moveble feasts, based on old Jewish lunar calendrical reckonings – particularly Easter), and not nature. This led to the phenomenon of admixture of features between old and new festivals and thus, the 11th November became Old All-Hallows Day, or Old Samhain, if you will (Shenn Oie’l Sauin or ‘Hop Tu Naa’ to the Manx, who still observe ‘old’ festival days – particularly Old Christmas Day, when some have another feast all over again!).

The means that Armistice Day – St Martin’s Day – is in fact the Old Day of the Dead. Somewhat appropriate, don’t you think?

It is almost certain that circumstances and fate were behind the choice of this day to mark the Armistice for the war which marked the end of ‘Old Europe’ and the true advent of modernity. Curious though that the era of the Gregorian reforms marking the abandonment of the old (pagan era) calendar of Julius Caesar, and marked the start of the cultural, philosophical, technological and social transformations which ‘put the train in motion’ for its cataclysmic 20thC derailment and wreckage. World War 1 was only possible because of the centuries of warfare and accumulation of unstable power under the religiously polarised Christian elites of Europe and their equivocating financiers who played one off against another as they struggled to milk the coffers of Europe’s global Empires of the 16th-20th centuries. A whole generation lost its youth to that final slaughter, and Samhain seems an opportune time to remember them.

Britain’s ‘Bonfire Night’:

Stuck between Samhain and Martinmas is Britain’s curiously chauvinistic celebration known as ‘Guy Fawkes Night’ or just ‘Bonfire Night’ on the 5th of November. This too is a celebration of death – albeit the death of a personification of Roman Catholicism – in the figure of a man called Guy (‘Guido’) Fawkes whose effigy is burnt on great bonfires on this evening, accompanied by fireworks displays and merriment. Fawkes was a recusant Yorkshire Catholic ‘terrorist’ who was supposedly apprehended as he was about to bomb the Houses of Parliament and King James I on 5th November 1605. It appears that the traditional ‘All-Hallows’ bonfires were transferred to this date for political reasons under the Protestant ascendancy and furor of the 17th century. There is an increasing re-conflation of the two festivals, such that children begin parading the effigies of poor ‘Guy’ on All-Hallows eve – not unusually demonstrating the more typical trappings of ‘Hallowe’en’… Far from being a figure of hatred towards Catholics, though, ‘Guy’ has also evolved into something of an anti-establishment hero, whose image (as ‘sacrificial hero’) not only adorns British bonfires, but the masks of a million political activists the world over, inspired by the popular graphic novel ‘V for Vendetta’ by modern visionaries Alan Moore and David Lloyd.

V_for_vendettax

The period between the 31st of October and the 11th of November seems therefore to be returning to its traditional empirical spiritual (‘ex pagis’ or ‘pagan’) meanings, and moving away from its superficially Christian adornments. It has been a process of death and pain, but then from this new things are born…

Why not celebrate Samhain again this year on the 11th of November in the company of the Host of the Dead, on Old All-Hallows Eve?

‘Root, branch and seed’ – Ancestral tree-analogies in Europe’s pagan past

Europe’s ancient pagan religions had their origins buried deep in a pervasive natural philosophy whose origins can be traced far into the pre-historic archaeological record to the cultures of the Bronze Age and Neolithic periods. This philosophy was one of death, the afterlife, regeneration and links with the ancestors. Not only does it employ the analogies of life-giving springs of water, regenerating serpents and the firmament of putrefaction from which life re-emerges, but also the active growth and re-growth of plants and trees in nature, particularly the nourishing agricultural crops and wild foliage sustaining man and the animals he relied upon. For this reason, the symbolism of the branch and the ear of corn was of particular importance to Europe’s ancient pagan cultures – Celtic, Thracian, Greek and Roman.

The 'warrior' panel from the interior of the cauldron. Note the branch between the warriors - the flowers look like Henbane. Photo: Malene Thyssen

The ‘celtic warrior’ panel from the interior of the Gundestrup cauldron. Note the branch between the warriors. The ‘flowers’ look like Henbane – herb of the dead. Photo: Malene Thyssen

Hercules and the confronts Ladon in the garden of the Hesperides (Roman Hispania)

Hercules confronts Ladon in the garden of the Hesperides (mosaic from Roman Hispania)

Corn ears on a coin of Cunobellinus (Catuvellauni/Trinovantes) 1stC AD.

Corn ear on a coin of Cunobellinos (Catuvellauni/Trinovantes) 1stC AD. It is possible that Cunobellinos was an initiate of the Greek Eleusinian mysteries, perhaps part of the scheme of Caesar Augustus to ‘Romanise’ the wild pagan elites of north Europe.

The branch is a particular symbol found on the 'Anted Rig' British celtic gold staters.

The branch is a particular symbol found on the ‘Anted Rig’ British celtic gold staters. Like those of Cunobellinos, they were minted during a time of crisis in the Celtic world, when tribal unity was of utmost importance.

The analogy of the tree is of particular importance, and sacred groves were of great importance to all of Europe’s pagan religions – be they Celtic, Greek, Germanic, Thracian or Roman. Sacred trees remained important to the cosmologies of Europe’s longest-surviving pagan traditions (for instance, Ireland, Scandinavia and the Baltic states) far into the middle ages.

Trees were symbolically  important for the following reasons:

They represented the ‘reflected’ symmetry between the mundane and spirit worlds. The roots below the earth are a reflection of the branches in the air above. The tree was therefore a link between the supra-terranean world and the mysterious chthonic realms into which living matter decayed and from which life seemed to eternally regenerate. ‘As above, so below’, so the saying goes. The idea of the ‘family tree’ depicts the analogy of ancestors and generations. The roots of the ‘family tree’ were the ancestors, the trunk the living patriarchs and matriarchs,  and the branches and fruits the future life and continuity of the family. Trees are analogous with rivers in many ways. The tree’s branching nature shares a very distinct similarity with the patterns exerted upon our landscapes by rivers. The winding nature of great rivers is also analogous to the shape of the snake, and rivers, trees and snakes are distinct in the symbolism of the Otherworld and its flow of interaction with the ‘world of the living’. Trees and plants rely very strongly upon sources of water, and are also prone to being struck by that other great ‘branching’ phenomenon of nature: lightning. Nourished by water welling up from the earth, and destroyed by lighting branching down from the sky – it  is no surprise that the tree is such a potent symbol of the forces connecting the heavens and the earth… Trees are the longest-lived organisms. Trees outlive almost any other species, and are therefore entrusted with the positive faculties of age: wisdom, perseverance and constancy. Trees might witness events spanning the lives of successive generations of humans. They protect and shelter, we build our homes and conveyances from them – they are a source of strength and protection to us. The physical nature of wood changes little after its death. Apart from ceasing to produce leaves and new growth, wood maintains its structural properties much better than other living organisms once it is dead. Well-treated wood lasts millennia, in fact. This property gives it a special place in human consciousness and imagination. The tree represents monarchy. The stout trunk and roots are the cohesive force of monarchy itself, with the topmost branch representing the king or queen and the lesser branches the subjects.

The Celtic otherworld in Romanian folk belief

Although largely identifying its modern cultural ethne as ‘Slavic’, Romania’s historical and archaeological past shows that in the ‘Dacian’ Iron Age and late Classical periods its identity was definitely what we today would consider ‘Celtic’. This identity survived until the ethno-cultural engineering of Romanisation, and then the ‘migration period’ displacements of the late 3rdC CE which caused Roman withdrawal in the face of southern migration of Goths and westward migration of Scythic peoples: This introduced the cultural and linguistic foundations nowadays associated with the idea of ‘Slavic’, albeit with an enduring ‘Roman’ identity, preserved in the country’s name. These processes culminated with the early medieval hegemonies of the Caucasus tribes of Avars and Bulgars who eventually formed a stable state which, by fits and starts, had finally Christianised under Byzantine influence by the 9thC CE.

When Herodotus commented upon the Dacians (called ‘Getae’ by the Greeks) in his 5thC BCE Histories, he noted in particular that these peoples believed in the continuity of the soul after death. They were, after all, a people related to the Thracians, among whom the poet-seer Orpheus was supposed to have arisen, providing the European classical world with one of its most important religions, believing firmly in reincarnation. This provided its adherents with a particular map of the Otherworld which modern Celticists can quite easily identify with…

In the modern popular understanding about Romanian folklore, the most influential stories and beliefs surround the dark and fearful aspects of Strigoi – the restless dead who wish to abstract the life-force of the living. These are the model for the modern conception of vampires (and werewolves), and who we nowadays like to think of as humanoids with long sharp canines used to bite and suck the physical blood from peoples’ bodies. The reality (if you can call it that) of the idea of Strigoi is somewhat more complicated, and deeply tied to the ancient beliefs of souls and the otherworld which underpinned the religion of Europe’s Iron Age peoples, possibly extending deeper into antiquity. Characteristically, Strigoi can be either human (‘witches’ – the Italic word for ‘witch’ is ‘Strega’), but they might also be the undying or resurrected dead who seek to abstract human life-force (sometimes as actual blood) and who sicken their victims before finally taking their lives. They can shape-shift into animal forms and pass normally insurmountable physical barriers, and become invisible.

Coupled to the belief in a more sinister Stregoi is the important Romanian myth of the Blajini – the meaning of which translates almost exactly to that same phrase used in Ireland for fairies: ‘Gentle People’. These were spirits supposed to occupy a parallel reflected otherworld which mirrored our own, and at there is still a tradition associated with them, celebrated at Easter, known as Paştele Blajinilor. This festival (often celebrated a week or so after Easter proper) has strong associations with the ancestral dead. Apart from visiting or tending the graves of the departed, it is attached to a custom in which dyed or decorated eggs (often red) were made and eaten in their honour and the shells dropped into rivers to take them to the Blajini (the idea being that they should then know that it was Easter)! Readers of my blog will recognise that this custom is another explicit demonstration of an ancient European belief that all rivers flow to the ‘world-river’ (Apa Sâmbetei to Romanians, Okeanos to the Greeks), which bounds the shores of both our own and the ‘other’ world. Apa Sâmbetei is usually translated or understood as ‘Saturday’s Water‘, but is actually fairly obviously ‘Saturn’s Water‘ since the realm of Saturn or Cronus was in ancient mythology upon the far shores of Okeanos. The term evidently comes through the influence of Trajan’s conquest of the Dacians. Romanian folklore held that the souls of departed travelled through streams and rivers to reach the Otherworld, and this is exactly paralleled in the remains of Celtic pagan beliefs demontrated throughout medieval Irish literature, as I have previously discussed.

More interestingly, another belief attached in traditions to the Blajini was that they continually fasted in the Otherworld in order to sanctify our own world with the divine grace this practice bestows upon christians. They therefore provided a ‘boon’ to humanity, that demanded respect. This is the same belief that Scots minister Robert Kirk described in the Scottish Highlands in his 17thC ‘Secret Commonwealth’ manuscript, concerning the otherworld ‘counterbalance’ – namely when we have plenty, ‘they’ have scarcity!

Both traditions – Strigoi and Blajini – therefore represent different aspects of the same original spirit-belief which so pervaded ‘Celtic’ Europe. They show the idea of the dead living in an inverted state in the otherworld, and whose behaviour towards us seeks to address an imbalance between a mundane and a spiritual existence. However, the ‘reincarnate’ dead who walk the earth again could have no place within the Christian cosmology and folklore except as some fearful ‘evil’ force representing death, darkness, disease and chaos – these evidently evolved to become the Stregoi, whereas the Blajini were ‘allowed’ a continued existence as they largely stayed in the ‘spiritual’ realm beyond the concerns of mundanity, and therefore could not transgress the Christian doctrines to such a degree. In fact, the two ‘archetypes’ are more of a continuity, so that Blajini are sometimes of a more fearful aspect. They are therefore both analogous to the spirits of the Gaelic world, and indeed seem to share the same ancient doctrinal heritage…

 

 

 

A religion flowing in the blood and the landscape

Readers of my blog may have realised that I make repeated references to how ancient paganism evolved in situ in Europe and eventually deteriorated under the influence of a ‘globalist’ model of secular power promoted by the Greek and Roman Empires. It was supplanted by a ‘portable’ religion with no bearing whatsoever on the land and ancestry of its indigenous European converts, progressively divorcing them from the traditional and deep ties to the environment from which their bloodlines arose, and which informed all of their skill and wisdom.

In Ireland (unconquered by Roman power) the advent of Christianity was surprisingly enthusiastic, yet paradoxically (when compared to other Romanised regions) it made a particular effort to keep memories in writing and tradition of the important pre-Christian beliefs, so important were these to the identity of the people in their place. In fact, it gave them such confidence that they were able to play a leading role in christianising the rest of northern Europe, still reeling from the confusion of Greco-Roman religious culture!

The Atlantic pagan religion was a poetic and artistic narrative, informed by the seasons and their features, the stars and their mathematically exact processions across the skies in relation to these, and the wisdom of survival in the geo-cultural climes of Atlantic Europe. Its moral philosophy promoted modesty and environmental awareness, based as it was on the principles of reincarnation and a powerful Otherworld that reacted against our actions in this life. This was passed in oral culture from generation to generation, perfected and finessed with each retelling, until it represented a pure spiritual narrative of life in this part of the world! The portable middle-eastern religions had nothing of this, and sought to destroy it, replacing it with an ethos promoting the worship of temporal tribal power and worldly materialism over the natural laws of the land.